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Born in Costa Rica in 1919, Chavela Vargas ran away to Mexico City as a teenager to sing in the streets. Winner, Best Film, San Sebastian Film Festival, and winner of directing, acting, and screenwriting awards at numerous festivals throughout the world." -Film Forum.ĭirected by Catherine Gund and Daresha Kyi, USA, 2017Īvailable on YouTube, Google Play, iTunes, Amazon, and Vudu,Ĭhavela is the captivating look at the unconventional life of beloved performer Chavela Vargas, whose passionate renditions of Mexican popular music and triumphant return to the stage late in life brought her international fame. Writer-director Mariana Rondón grounds her film in the cultural realities of working-class Venezuela – and, by dint of two remarkable performances, finds warmth and humor between mother and son, even as the uncertainties of pre-adolescence threaten to pull them apart. Grandma is more accepting, teaching Junior to dance to one of her favorite ‘60s rock ‘n’ roll tunes. His mother, unemployed and frazzled from the pressures of raising two children in an unforgiving city, has serious misgivings she suspects her son is gay.
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For his school photo, he wants to iron his stubbornly curly mane straight to resemble one of his pop star idols. Junior fears he has pelo malo – bad hair. "A touching and humorous coming-of-gender story, Bad Hair chronicles the life of nine-year-old Junior, living in a bustling Caracas tenement with his widowed mother.
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Featuring a riveting performance by actress Geraldine Chaplin, Sand Dollars was directed by the acclaimed duo of Laura Amelia Guzmán and Israel Cárdenas ( Jean Gentile).ĭirected by Mariana Rondón, Venezuela/Peru/Argentina, 2013Īvailable on YouTube, Amazon, and Google Play For Noelí, the relationship with the old lady is one of convenience, but the feelings become more intense as the departure date closes in. Noelí’s boyfriend feigns to be her brother and outlines a plan in which Noelí travels to Paris with the old lady and sends him money every month. As people parade through her life, Noelí has a steady client, a mature French woman who, as time goes by, has found an ideal refuge on the island to spend her last years. Along with her boyfriend, they look for ways to make a living at the expense of one of the hundreds of tourists that wander the beach. Why do we need the word “queer” to expect to see queer characters? Don’t we all encounter LGBTQ people every day? And why don’t our “regular” movies reflect that?įrom stories that nail the hardships of LGBTQ teens to those that capture the magic of a first love, here are our favorite queer coming-of-age stories.Ī version of this story was originally published in March 2018.Directed by Laura Amelia Guzmán and Israel Cárdenas, Dominican Republic/Mexico, 2014Īvailable on iTunes, YouTube, Amazon, Google Play, Hulu, and VuduĮvery afternoon Noelí, a young Dominican girl, goes to the beaches at Las Terrenas. We should not only insist on more queer coming-of-age stories, which can be life-changing for LGBTQ youth who don’t see themselves depicted elsewhere, but insist on our inclusion in so-called “regular” coming-of-age stories. Many of my favorite coming-of-age stories are heartbreaking for just how poignantly they show this plight, from Hilary Swank’s performance in Boys Don’t Cry to Heath Ledger and Jake Gyllenhaal in Brokeback Mountain. Of course, it’s only recently that LGBTQ youth have had the possibility of a coming-of-age story like the one shown in Booksmart. LGBTQ youth have lived in fear of bullying, harassment, and abuse for decades, and it’s important to tell those stories to let those suffering know they’re not alone.